Eyes of Wakanda · Season 1 · Episode 4
The Last Panther
Hello and welcome fellow Marvel fans to the Snark
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of Stark Industries. All right, The Last Panther,
which is, you know, the name of this episode
and the last episode. No, I think Shuri's The
Last Panther. Fair. Ethiopia. All right, 1896.
I like that guy's haircut. It's like the original
bowl cut, but not quite. Yeah. Well, that's what
battles do. Yeah. Yeah. Yeah. Oh, we got guns
now. Mm hmm. Getting real. Yeah, let me know
how that goes for you. Seems like a good move
if you can do it. There's a person right there.
Yeah. Now, let me send you to a war zone to observe.
Yeah. Just look. Tell me you don't like your
kid without saying you don't like your kid. He
ate the last Oreo one too many times. You're
in the middle of a conflict, so. Now, what is
a prince doing in the middle of a conflict? That
seems. Well, I guess T 'Challa is king in all
the ways in the middle of conflict. Yeah, I mean,
I suppose if the tradition holds that the king
is the Black Panther, then this is some training
for him. Yeah, he better be ready for it. Oh,
but you making it. How did he get so far when
you can't see him in one second? How did he get
across the street, man? Maybe he is ready to
be a panther. He's taking the hot shaped herb.
Yeah. And I like that they already have communicating.
Devices that they have to put their fingers up
to the ear. The 1800s. They've got the they've
got the. Oh, it's that. Oh, is that the. Yeah.
It doesn't normally have that long of a staff,
does it? Well, some staffs are longer than others.
Calm down. Oh, no. Call back to episode one.
Yeah. Oh, well. Huh. Very interesting. So I feel
like they're trying to set up Killmonger as more
of a Wakandan hero. That's a take. Not saying
everything he did was right, mind you, but. You
know, recovery of artifacts. That is his entire
goal in the movie. So how is he necessarily the
bad guy if all these guys are our protagonists?
Well, I think we'll get to that one day. For
this day. We will indeed. For this day, I'm going
to say that I just disagree with you. Yes, yes.
Put a pin in it. Conversation for another day.
I'm looking forward to seeing that. Yeah. A little
car explosion or the motorized wheelbarrow. No,
it was in the last episode. Oh, and that. No,
that was that was going through trees and it's
going to be in this one. Don't don't do that
to me. Place your bets now, folks. Will this
go the way of the bangle? Oh, look at that. Look
at that. All right. I'm signing off. Look at
that. That could not have been better timed.
Oh, man. Like it's not even sitting there. Goddamn.
when they really lean into saying duty a lot.
You would. Or in a four -part miniseries. Dude,
I like those wheels. That's cool. Well, if we
had just waited, we could have learned things.
Well, sure, but that's not our style. I'm not
waiting for anything. I'm drawing conclusions
incorrectly from the start. It's more fun that
way. I mean, vibranium is cool and everything,
but I would take a gun over a vibranium axe.
Yeah. Maybe turn it into a shield. Whoa. If they
weren't driving a ridiculous car, that wouldn't
happen. I mean, he should have just split the
wheels, right? I appreciate that they were wearing
their seatbelts. Very important. I'd be paying
more attention to the fact that there was somebody
in the middle of the road that just flipped our
vehicle. And are standing there waiting for you
to come out. Mm -hmm. Well, that's not human.
What, a Chitauri, or...? Quiet. They won't see
us in this wreckage. Yeah, they don't know where
we were sitting. Excuse me? Bro, take it. There
you go. Always going to use the axe. Nope, he
didn't grab the axe. He's trying to punch the
thing instead. Here he goes. There he goes. Oh,
well. There he tried. He's like, oh, this is
what I was here for. Well, what if I go that
far? Mm hmm. Oh, oh. God, had that landed on
him, that would have been bad. That didn't fall
at a more inopportune spot. I think we've said
it every single time we've watched one of these,
but the cinematography, the fight combat. Ah,
it's so good. Or the combat cinematography. Those
fight combats. Yeah, yeah, you know what I said.
You remember that time you said that was a Chitauri?
Hilarious. Mm hmm. Mm hmm. You could be so right
about the little battle wagon and so wrong about
a human being being an alien. Hey, hey, man,
I'm 50 50 right now. I'll take it. Well. Oh,
time travel. That's a trick. Oh, this temporal
timeline has been displaced. We're very far into
the future now. Yeah. Oh. 500 years, so 18 -
2300s. Something or other. Oh, okay. Then we'll
fight in the shade. Oh, it's a scarab from Halo.
Everything ties together. Nope, it's not even
close to that. Not anymore. Although that doesn't
look too dissimilar from the scarab gun. That
is a heck of a suit. Damn. Panther got an upgrade.
How did you lose to those guys? Right? You could
just do that. I guess it's taxing. It looks like
it might have taken a bit out of her. Yeah. Dude,
I like the Dora Milaje. That's cool. Yeah. So
is this the, like, Annihilus? The Horde? Perhaps,
or something completely made up. Totally, yeah.
Nice. That's cool. Yeah. Is that Noni? So we've
seen that in, I think, all four of these episodes.
That mask? Yeah. See, I mean, Killmonger trying
to recover this thing seems like it's a pretty
important... You're not convincing me that he's
a hero. I'm not saying he's a hero. Just because
he's a bad guy doesn't mean he's a bad guy. Hot
takes here. You heard him here first, folks.
Oh, that's actually the museum from Black Panther.
You see that? I did. World United. She's talking
crazy now. Yeah. Kids like I told you. Well,
there's one thing that we learned. That's not
how that works. Yeah, this is. Breaking the multiversal
rules already. The TVA just shows up and kills
all of them. Oh, here is a wow. And they all
went home and never thought of her again. I fully
trust this lady that almost killed me. Yeah,
right. Species. Well, I mean, he did say all
of humanity as well. Yeah. Well, they better
hurry. Yeah. But we can't. We're out of hoobity
boobity. Hate it when I run out of hoobity boobity.
So do they. Oh, see? Yeah. Nailed it. They have
a cave troll. Fool of a took. They're definitely
not the Annihilus brood. Unless it's meant to
be a futuristic version. I would say it's probably
just something made up here. That'd be my guess
too. Oh. Keeps doing that. Wow, they are truly
ineffective. Glad they grabbed the can as it
was like, screw those two guys in particular.
Yeah. Oh, that was a sound. He fell in a hole.
Should I shoot him with this gun or charge at
him and try to smack him with it? Did he hit
him with the handle instead of the axe? I think
so. Oh, that was cool. That cannonball going
right through that building. Yeah. Those two
guys in particular. The city's in ruins. Anyways,
I started blasting. That's a big open field to
be running across in a war zone. You going to
punch the building away? You can certainly try.
Yeah, yeah, yeah. Die on some distant battlefield.
Yeah. Right. Take his little gauntlets. Right.
Leaving Wakandan technology in another country.
Season two, episode one. Someone goes to find
the gauntlets in Ethiopia. Oh. Damn. Oof. Oh,
shit. You wouldn't have stopped to say that.
You'd have probably been okay. Oh, man. So every
day at nine o 'clock, this grandfather clock
just pops open. Here's my secret compartment.
Look at this axe. I don't know what he was expecting
to happen when he radioed into the guy that was
crushed by a building. Right. You kind of saw
him. Hey, that's the exact same wound that Rico
got from a bug type thing in Starship. Right
through the leg like that. Like you said, everything
ties together. It all ties together. Everything
is Marvel. I wonder if it worked. Oh, he didn't
die. Look at that. Somehow fine. I was just passing
out for dramatic effect. Your plot armor is thick.
Because a person from the future told you it
was, man. But did it work? Kind of jacked up
to have time travel if it did work and not go
back and let him know. Right. Okay. Will we get
to see it? Oh, hey, look at that. Yeah. Speaking
of. Huh. Huh. Interesting. Very interesting.
I don't know if that's the word I'd choose. All
right. Well, that's that. And we will see you
over in the deep dive, folks. thank you for joining
us in this episode of the snark industries podcast
to join the conversation and further explore
the marvel cinematic universe with us head on
over to snarkindustriespod .com the link will
be in the show notes but with that we will see
you in the next adventure
Ethiopia, 1896. The Italo-Ethiopian War is raging, and in the middle of it, two Wakandans are on a retrieval mission. Prince Tafari is young and eager, Kuda is experienced and skeptical, and the vibranium axe they are after is buried somewhere in the chaos of an active battlefield. They find it, and they are immediately run off the road by an invisible force. The woman responsible is a Black Panther from 2296, and she has crossed centuries to deliver one message: put the axe back. The world she comes from is being consumed by a horde of creatures, and the only chain of events that leads to a world strong enough to survive it runs directly through Killmonger finding that axe in a museum centuries from now. Tafari and Kuda fight their way back to return it, and the episode closes on exactly the museum scene the future Black Panther needed them to create.
Hello and welcome fellow Marvel fans to the Snark
Industries podcast. I'm John. And I'm Remy. And
we invite you to join us as we work our way through
every Marvel TV show, movie, and crossover. Meaning
if there's a Marvel character on screen, it's
fair game. All categorized in the temporal order
of their setting. By the time we're done, we'll
have built a complete start to finish timeline
of the entire Marvel Cinematic Universe. To accomplish
this goal and to have a bit of fun along the
way, each episode will be split into two parts.
The watch party and the deep dive. If you're
hearing this, you found one of our deep dives.
This is where we slow things down and take a
more pragmatic, in -depth look at a piece of
Marvel media. We'll walk through the full plot,
explore connections to the wider MCU and Marvel
Comics, highlight Easter eggs, unpack lore, and
of course, give you our own personal thoughts
and feelings. Although this episode stands on
its own, it is designed to complement The Watch
Party. So, if you haven't watched along with
us yet, we highly recommend starting there first
and coming back here for the full breakdown.
Most importantly, we want to thank each and every
one of you for joining us on this incredible
journey. We're not affiliated with Marvel in
any way, shape, or form. We're just fans who
are passionate about these stories and these
characters and wish to share them with everyone
in a new and exciting way. So, sit back, relax,
and enjoy this episode of Stark Industries. Hello,
ladies and gentlemen, and welcome to the Snark
Industries Deep Dive. We just watched The Last
Panther, Eyes of Wakanda, Episode 4 of Season
1. And John, why don't you tell us what this
was about? All right. So we start out in 1896
in the Italo -Ethiopian War with two Wakandans,
Prince Tafari and a veteran war dog named Kuda,
on a mission to, I bet you can guess it, Recover
a Wakandan artifact. Like to shake it up a little
bit. Yeah, just just for a change in activities.
It seems very early on that Prince Tafari is
young and well, he is young, but seems inexperienced,
I think is what I'm trying to say. And is there
supposedly on an observation mission with CUDA?
And ultimately, they do find their piece of Wakandan
tech in the middle of this great battle. That's
happening. And it is the axe, not only that was
referenced in the first episode of Iza Wakanda,
but is the weapon that Killmonger finds in the
museum in the Black Panther movie, which we'll
get to a little bit as we go on. But they do
find it. And as they're leaving the city, an
invisible figure standing in the middle of the
road and upturns their battle wagon. And as they
come to, a fight ensues between them, seeming
to be some sort of villain. And it turns out
that it is actually. a Black Panther from the
future. She introduces herself as the Queen from
the year 2296 and spells out a certain level
of doom and gloom as the world is ending. And
the only way to save it is if her to go back
into time to find this particular relic and return
it to where they just found it from, which will
allow it to be ultimately recovered in an archaeological
dig and put into that museum for Kilmarger to
find, which... Leads to the events of the Black
Panther movie, which means that Wakanda connects
with the rest of the world, which means the world
will then be strong enough to defeat this world
ending infestation. As she tells them all this,
she is unable to hold her temporal form and returns
back to the future where these bugs in question
attack where she is at, along with Adora Milaje.
We see them have a bit of a battle to defend
the portal into time to keep these things out
of the past. Prince Tafari convinces Kuda to
take the axe back to where they found it, ultimately
doing so. And as they return safely home to Wakanda
after some hard fought battles, in which case
we thought for a moment we lost Kuda, but he
does survive. We see the last scene, a cut to
the future where Killmonger is standing. in the
museum looking at the axe head seemingly that
this plan did indeed work so as it ties into
the MCU actually this is one of the first ones
that really directly does the implication very
heavily yeah yeah the implication being that
in doing the events of this episode allowed Killmonger
to find this axe which then those events branched
out to ultimately save the entire world in the
year 2296. Obviously, we have the just generic
tie -ins with the Black Panther, the War Dogs,
the Dora Milaje, Wakanda in general, same as
the other Eyes on Wakanda episodes. But for the
first time, we really get a big shift as they
are trying to plug into something directly to
the MCU and what we understand as the MCU at
large. So that's how it ties into the MCU. Remy,
how about any comic books? As far as comic origins
and universe designation, of course, because
of how well it ties in, this is, of course, the
main Marvel U, which is Earth -199999 or 616
if you want to be wrong. But as far as the comic
roots themselves are concerned, the Horde, I
was predicting in the watch party that it was
the Annihilus Horde, which apparently this is
lifted from the 2006... Eternals miniseries written
by Neil Gaiman. So I didn't realize that. So
these are actually creatures that do exist, not
just invented for this show. Kind of cool. Interesting.
As you mentioned, the war dogs are certainly
there, which was from Black Panther number three.
There's also the political isolationism, which
is heavily referring to Black Panther volume
six and the run in 2005 by, I'm going to mispronounce
this name and I apologize, but Ta -Nahisi Coates.
and Reginald Hudlin so sorry if I mispronounce
those yep yep yep but uh yeah as far as comic
tie -ins that's really all it goes this one is
much as John said much much heavier tied into
the MCU in general than it is the comics and
uh as far as easter eggs are concerned I mean
the biggest one of course is the axe I don't
know that it was really an easter egg such a
focal point plot device but otherwise I didn't
see a whole lot else we did see the lion mask
every single episode in In this show, we, of
course, got the flashbacks to the Kai and then
all the other characters, which was really neat
to see. But I don't, again, think those would
be considered Easter eggs. So what do you think
overall? So I thought the episode overall was
well put together. The choreography of the combat,
the combat fights, as you call them, was was
well done. I can't edit that out now. I do not
like this episode and I'll go into why we discussed
a bit as it was happening. There's some liberties
taken here that I think steps outside of the
realm of what makes sense. What if can kind of
do that in their episodes because we understand
it is what if these are separate. Meant to be
absurd. Yeah. Meant to be stories told and that's
it. This and implying heavily that. This particular
act, the actions of this episode, making the
timeline work the way it did and the way that
we understand it goes directly against all that
we have learned and understood about how timelines
work and the multiverse works and all the things
that have happened thus far. This idea that this
did happen and that the future Black Panther
coming back and making them change it would have,
by all understandings of what has been laid out
for us, created a branch. So ultimately, then
are we to understand that the branch is what
actually happened in the Black Panther movie
and the ensuing things? Or did they just get
this wrong and it doesn't work this way? I'm
more inclined to lean towards the latter. I think
that they just thought that this would be a cool
tie in, but without following the rules that
has been set up already in the MCU. And I mean,
and this ultimately. with its release date being
what it is, is an MCU show. I mean, this is all
kinds of falls under the Feige empire. Right.
So it's strange to me that they took that liberty
to go in and to do this without even at least
addressing how it would work and everything else.
I think a more simple thing would be if they
laid out time travel, they already have it, that
they are able to do it and could say that somehow.
a different time traveler had come back and had
moved it. And that's why the timeline was off.
And then they were going and just fixing it because
we did see that that works. And ultimately how
Endgame ended up being a success in terms of
what their mission was. If they had done something
like that, I could get behind it. But to just
blatantly disregard the rules that have been
laid out to make up a story, even if it's a decent
story overall. And like I said, well choreographed
and, you know, the. The animation is great and
all that stuff. I do enjoy those things. But
just to blatantly ignore all of that and just
kind of make up your own thing, I cannot abide
that. I do want to pose a theory that could explain
that away. What if she were from an alternate
timeline and her timeline ultimately did die?
That's just simply how it ended. And her coming
back was what saved the main Marvel U. So her
timeline splintered regardless. That existed.
But her. intervening intervening in this instance
may have saved the main marvel universe the main
cinematic universe versus saving her timeline
because we saw at the end that she did ultimately
die so her coming back did not fix what happened
to her well i'm going to tell you something that
i've always said not only for marvel but for
any movie if there's nobody she's not dead you
know that's very fair we don't we you know it
does seem like it's sort of built up to this
whatever. But the, of course the, the idea is,
and I think that your theory could make this
work. I don't see from what we've been presented
that that's what they were trying to do. I agree
completely. You're negotiating with the story
they told to make it make sense. And I think
that that's okay. If it makes it, you're getting
better, but because the idea is, is that yes,
we see her quote unquote dining. Right. No, not
really. But if. Her going back and having them
fix this means that this horde either didn't
really come or it did come and they were easily
outmatched. She wouldn't have been in that situation
anyway. So she didn't really die in that case
either way. So, you know, I do think that that
theory can make this work and perhaps that's
how we should look at this. I don't see that
as this has to be. I said, I think that's negotiating
with the with the material to make it make sense.
It's very clear to me from the last scene that
we see with Prince Tafari, where he's talking
about, I just wish we could have seen if it worked
for the future. And then immediately cutting
to Kilmarger standing in the museum implies to
me heavily that they are showing like, that's
them saying, yes, it did work. Look. It did work.
It did. But without him having done that, then
her reality, rather than being Splinter, may
have been the main Marvel universe. Perhaps so.
Again, I believe. I completely believe what you're
saying is as I'm explaining away the problem,
because, you know, as fanboys are want to do,
I want this to work. Sure. Yeah. And I mean,
and, and, you know, and at the end of the day,
and from terms of story and, and I can stand
to, you know, and, and have my own pride and
say that I could be completely wrong here. I
just don't see them explaining that way. I said
just a sentence or two adding that in that, that
she, And that her existence and her understanding
was a splintered timeline to start with. And
this was fixing it and correcting it back. And
that timeline did get pruned in a way, whether
it be accidentally or by design. Right. Yeah,
that's really the way they should have approached
it. Because ultimately, at the end of the day,
for those who aren't as invested in this as you
or I, this just doesn't make sense. No, no. The
only story similar to this. of time travel in
marvel comics that i can possibly wrap my head
around is days of future past but even then it's
not a physical time travel sure so i think there
are different rules so it's it's yeah you're
absolutely right this is this is a broken rule
set and there's only only one way to explain
it and it's not what they said in the episode
so it's negotiating yeah and it's like i said
and i could be wrong and that could be what they
were trying to imply and they're just assuming
everyone would draw the conclusion that you did
I don't think so. And I would have liked to have
seen them at that. So because of that, I can't
really look and just in general to, you know,
to tie it all in together. Like I said, if it
really wasn't for that, I would say this is a
decent episode. Not my favorite by any means,
but setting aside the breaking of the timeline
rules, if that's what indeed happened, if they
didn't imply what you're saying without saying
it, then still. I would say a mid episode overall
to the show. My least favorite of the, of the
series for sure. I had a curiosity before we
wrap up eyes of Wakanda in its entirety, which
was your favorite. I think the third use was
what you said. I like, I like the iron fist episode
quite a bit. Yeah, that was a good one. That
was my favorite one for sure. And just to wrap
this thing up, it may be evident, but my opinion
on this episode, it was a lot of fun. I really
enjoyed it. I actually contrary to John, I love
the what if scenarios. So I let really. Really
appreciate that they're setting up Killmonger
to be not necessarily a protagonist, but such
a pivotal piece of history where he was until
this point viewed as the villain. He is now such
an important part of the history because you
follow the trail of where that axe went and what
it actually did for the MCU. It is the catalyst
that got Wakanda to open up to the world, which
had the battle with Thanos not taking place in
Wakanda, what would that have looked like? It
is a huge, huge nexus point in the MCU. So I
really appreciate that they gave us the opportunity
to put it within that framework. And I thought
that was really clever. I don't love the way
they handled the time travel. I'm completely
with you on that. I realize that I am explaining
away what was done, but at the same time, it
works well enough that that's totally going to
be my headcanning. So solid episode, a little
funky on the time travel logic, but here we are.
And I did ultimately enjoy it. Fair enough. But
I do think I'm with you that the third episode
was my favorite of the three. Wow. Look at us
agreeing. Yeah, look at that. But yeah, we will
see you in the next episode, folks. I hope you
enjoyed and continue to do so. Thank you for
joining us in this episode of the Snark Industries
podcast. To join the conversation and further
explore the Marvel Cinematic Universe with us,
head on over to snarkindustriespod .com. The
link will be in the show notes. But with that,
we will see you in the next adventure. Combat
Fights
Snark Industries wraps up Eyes of Wakanda with its most MCU-connected episode yet, set against the backdrop of the Italo-Ethiopian War of 1896. The full plot gets walked through, from Prince Tafari and veteran war dog Kuda's mission to recover a familiar vibranium axe to the arrival of a Black Panther from the year 2296 with a very specific request and very little time to explain it. The time travel logic at the heart of the episode sparks the liveliest debate of the series, with one host finding the broken ruleset impossible to overlook and the other genuinely enjoying the episode while freely admitting to negotiating with the material to make it work. Comic roots are traced through the War Dogs, Wakandan isolationism via the Ta-Nehisi Coates and Reginald Hudlin runs, and the Horde itself, which turns out to be lifted from Neil Gaiman's 2006 Eternals miniseries. The episode also serves as a natural full-series retrospective, with both hosts landing on Eyes of Wakanda Episode 3 as their shared favorite of the run.
Dive in further at https://www.snarkindustriespod.com/post/1896-ce-eyes-of-wakanda-season-1-episode-4-the-last-panther
Join the conversation at https://discord.gg/mJBCuxffF5
Synopsis
Adwa, Ethiopia, 1896. As Emperor Menelik Il's forces repel an invading Italian army in one of African history's most consequential battles, two Wakandans are running their own mission beneath the chaos. Kuda, a seasoned War Dog with hard-won perspective, leads the operation; his trainee is Prince Tafari, the king's third son, a young man who will never inherit the throne and is hungry to carve his name into history on his own terms. Their target: a vibranium axe currently stored in a house at the heart of the fighting. Tafari, driven by ambition and recklessness, ignores orders and grabs it himself. When a figure in a Black Panther suit ambushes them on the road out of Adwa and tries to take it back, the mask comes off to reveal something impossible: a Wakandan woman from five centuries in the future. She is the last Black Panther of her timeline, sent back by a dying Dora Milaje with a Quantum Scanner and one purpose: to undo a Bad Future in which an isolationist Wakanda watches the alien Horde consume the world, then falls itself.
She shows them what she has seen, and then she shows them the math. Return the axe to its hiding place in Adwa, and history threads a specific needle: the axe reaches a British museum, Killmonger eventually takes it, T'Challa's response pulls Wakanda out of isolation, and the world is ready when the Horde arrives. Keep it, and that chain breaks. They turn the car around. Tafari, who began the mission chasing glory through bold action, finds a different kind of courage: he gives the axe back, returns to Wakanda empty-handed, and stands before the Council to take the blame alone, shielding Kuda, swallowing his pride, and accepting that he will never see the future he helped secure. We close by pulling forward to the British Museum scene from Black Panther (2018), Killmonger arriving to claim the axe. The chain holds.
Reality Designation
This story takes place in the main continuity: 199999
Reality numbers are Marvel's official designations.
Where a universe has no official number we follow the Marvel Database and use its Temporary Reality Number (TRN-1092). Where there is neither — official or temporary — at the time we watch it, we assign a Snark Industries number of our own (SI-001).
Characters in the Episode
Appears in the closing sequence via repurposed footage from Black Panther (2018).
Milestone: Succeeds in her final mission before being killed by The Horde
Time-displaced Queen of Wakanda from approximately 2396 CE. The last Black Panther of her timeline.
Milestone: Leads Prince Tafari in a mission that secured the future
Experienced War Dog leading Tafari's training. Friendly, capable, and grounded by his family at home.
Milestone: Makes a decisive decision to replace the artifact that will allow for the continuity to proceed unharmed
The young third son of the current Wakandan family, in training as a War Dog. Witty, mischievous, and aching to make his mark on history.
Visible in the background briefly after the title sequence, observing Tafari and Kuda's escape from Adwa.
Comic Roots
Where the episode's people and places come from on the page.
First appeared in Eternals (Vol. 3) #6 (January 2007), created by Neil Gaiman and John Romita Jr. as the central looming threat of Gaiman's seven-issue Eternals miniseries. Described in the comics as "the locusts of the universe," they are insect-like cosmic beings serving the Fulcrum, balancing the universe on the opposite side of the Celestials. They consume planetary life-force energy and have visited Earth multiple times across cosmic history. Charles and Daniel Knauf expanded the Horde storyline in Eternals (Vol. 4, 2008-2009). This episode is the Horde's first MCU appearance.
The Horde are presented as enemies of the Celestials but instruments of the same cosmic system, the Fulcrum. Their first depicted Earth attack is roughly four billion years in the past, when they infected the Celestial Progenitor. This episode's positioning of them as an apocalyptic future threat is consistent with their comics role as a recurring cosmic doom.
Tafari, the cousin of T'Challa, briefly held the Black Panther mantle in Doomwar (2010) by Jonathan Maberry. The animated Tafari is a much younger character and serves a different narrative function, but the name carries weight in Wakandan mythology.
Recommended Reading
Where to go next if the episode left you wanting more.
First appearance of The Horde and the foundational modern Eternals story. Gaiman reframes the Celestials, Eternals, Deviants, and Horde as parts of a single cosmic system. Essential context for understanding what the Last Panther's future is fighting against.
Direct continuation of Gaiman's run that expands the Horde threat significantly. Druig, Ikaris, and the awakening of sleeping Eternals all face the Horde's approach. If you want the full comics weight of the Horde, this is the second half of that story.
The foundational War Dog material in comics. Kuda's professionalism and lifelong service map directly onto Priest's depiction of long-tenured operatives. Foundational reading for the entire Eyes of Wakanda series.
Directly engages with the philosophical question at the heart of this episode: what does Wakandan isolationism cost the rest of the world, and what does Wakanda owe? The episode's hinge point is the same argument made flesh.
Features the comics version of Tafari taking up the Black Panther mantle during the war between Wakanda and Doctor Doom. Different character beats than the animated Tafari, but useful context for the name's history in Wakandan mythology.
The Snark File
Easter eggs, callbacks and technical tidbits.
Uatu
Uatu the Watcher makes a silent cameo in the background immediately after the title sequence, observing Tafari and Kuda's escape from Adwa. This is the first confirmed Watcher appearance in animated MCU Sacred Timeline material and quietly foreshadows the alternate-timeline plot. It also lays groundwork for the Watcher's expanded role across the Multiverse Saga.
The Battle of Adwa
Occurring March 1, 1896, is a real historical event. Emperor Menelik II's Ethiopian forces defeated the invading Italian army, securing Ethiopian independence and inflicting one of the most decisive defeats on European colonial expansion in Africa. Setting Tafari and Kuda's mission inside this specific battle is a deliberate choice that frames the Wakandan operation as adjacent to one of African history's great victories.
The Horde
The Horde making their MCU debut here is significant. They are one of the central threats of Neil Gaiman's Eternals run and have been speculated as a future MCU antagonist since the Eternals film teased the Celestials' cosmic conflicts. Their introduction in animated form, in a 1896 prequel, is unusually patient table-setting for what could be a future Eternals or cosmic Avengers event.
The Last Panther
The future Black Panther is the first female Black Panther in MCU primary continuity who is not T'Challa's sister. Shuri took the mantle in Wakanda Forever (2022). This Last Panther is a different Queen, from centuries beyond.
The Causal Loop
The Lion's stolen vibranium relics, scattered at the end of EP01 in 1260 BCE, complete their arc here. The series begins with the vibranium dispersed and ends with the last of it being deliberately left in the wild to set up T'Challa's reign. The entire four-episode arc is a single causal loop.
The Quantum Scanner
Draws from the Quantum Realm technology established across Ant-Man (2015), Avengers: Endgame (2019), and Ant-Man and the Wasp: Quantumania (2023). Time travel via quantum mechanics is now a multi-era MCU technology, with the future Wakandans of 2396 CE having weaponized it for survival.