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The Marvel Super Heroes · Season 1 · Episode 1

The Origin of Captain America / Wreckers Among Us / Enter Red Skull

Cap and his Shield
Case File
Podcast Release
Sep 22, 2026
In-Universe
1941 Reasoned
Reality
Era
Captain America Nexus
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Synopsis

America is at war, and in a shadowed curio shop in Washington a frail volunteer named Steve Rogers gives his life over to Operation Rebirth. Dr. Erskine's chemical remakes his body into that of a super-soldier, but the triumph lasts only moments before a hidden enemy agent guns the doctor down and dies fleeing into the laboratory's electrical apparatus. The formula is lost with its creator, leaving Rogers the sole product of an experiment that can never be repeated. He takes up the mantle of Captain America while hiding behind the guise of a bumbling army private, drawing the daily wrath of his sergeant. When the camp's teenage mascot, Bucky Barnes, stumbles onto the secret, the two become partners, and their first mission together turns a landing party of saboteurs and their offshore submarine into wreckage carried back out on the tide.

The war then draws them toward a subtler menace. A theatrical hypnotist calling himself Sando stages impossible predictions through his entranced "slave" Omar, and when one of those visions comes true on an army base, Rogers grows suspicious enough to investigate. The act proves a fraud, its prophecies projected by an accomplice above the stage, and behind the whole scheme stands the Red Skull, who erases a major's memory and slips through every trap Captain America sets. A sabotaged bomber and an impostor unmasked all trace back to the same hand, and though his agents fall one by one, the Red Skull escapes to promise that nothing will stop him. Through it all, Rogers keeps peeling potatoes under a sergeant who never suspects the clumsy private is the nation's newest champion.

Reality Designation

This story takes place outside the main Marvel continuity: 600026

Did You Know?

Reality numbers are Marvel's official designations.

Where a universe has no official number we follow the Marvel Database and use its Temporary Reality Number (TRN-1092). Where there is neither — official or temporary — at the time we watch it, we assign a Snark Industries number of our own (SI-001).

Characters in the Episode

Betsy Ross
Betsy Ross Mantle: Agent R

Leads General Phillips from the Curio Shop to the Project Rebirth Lab.

James Buchanan "Bucky" Barnes
James Buchanan "Bucky" Barnes Played by: Carl Banas (Voice)

Milestone: Discovers that Steve Rogers is Captain America

Camp mascot; discovers Cap's identity and joins the fight.

Sharon Carter
Sharon Carter Mantle: Agent 13

Posing as a reporter and captured by Sando and his men. Helps Captain America and Bucky defeat Sando's men.

Major Corey
Major Corey Mantle: United States Military Major

Is attacked and gassed by The Red Skull, causing his project to be place on hold until his memory returns.

General Curtis
General Curtis Mantle: United States Military General

Introduces the Soldiers to Mr. Maxon at the camp.

Sergeant Duffy
Sergeant Duffy Mantle: United States Military Sergeant

Steve and Bucky's commanding officer. Not a fan of the pair.

Dr. Abraham Erskine

Milestone: Killed by Heinz Kruger

Administers his serum to Steve Rogers and is killed immediately afterward.

Heinz Kruger

Milestone: Died

Kills in this episode: 1

Witnesses Steve's transformation and kills Dr. Erskine.

George Maxon
George Maxon Mantle: The Red Skull Played by: Paul Kligman (Voice)

Masked saboteur-master; gasses Major Croy, escapes with a target list.

Omar

An innocent under Sando's control. Part of Sando's Hypnotic show.

General Phillips
General Phillips Mantle: United States Military General

Speaks to Roosevelt about Project Rebirth. Witnesses Steve's transformation.

Steve Rogers
Steve Rogers Mantle: Captain America Played by: Sandy Becker (Voice)

Milestone: Receives the Super Soldier Serum

Transformed super-soldier; hunts saboteurs under an army private's cover.

Colonel Wolfgang von Krantz

Poses as a hypnotist and secretly works for The Red Skull. Loses in a battle against Cap, Bucky, and Agent 13

Comic Roots

Where the episode's people and places come from on the page.

The Origin Twice Told

The first chapter adapts Tales of Suspense #63 (March 1965) by Stan Lee and Jack Kirby, itself a Silver Age retelling of the origin from Captain America Comics #1 (1941) by Joe Simon and Jack Kirby. The screen version follows the #63 script closely: the scientist is named Erskine (changed from the original "Reinstein"), and the serum is taken as an oral formula rather than the injection-and-Vita-Rays process that later continuity would settle on. The Nazi assassin who guns down Erskine goes unnamed here, but later Marvel continuity identifies him as Heinz Kruger. This is also the chapter that seeds Bucky Barnes's discovery of Cap's identity, lifted from the same #1 material.

Wreckers and the Sando-and-Omar con

The middle chapter adapts Tales of Suspense #64 (April 1965), "Among Us, Wreckers Dwell!", which reworked the second story from Captain America Comics #1. The stage-psychic-fronting-for-saboteurs scheme (Sando and Omar signaling wrecker targets through a fake mentalist act) comes straight from that Simon-and-Kirby original. The #64 story is also notable in print for featuring Agent 13 of the Women's Army Corps, a character distinct from the later Sharon Carter despite the shared codename.

Not The Red Skull You Expected

The third chapter adapts Tales of Suspense #65 (May 1965), "The Red Skull Strikes!", retelling "The Riddle of the Red Skull" from Captain America Comics #1. Crucially, this Skull is George Maxon, an American aircraft manufacturer turned Nazi agent, not Johann Schmidt. The following issue (#66) retconned Maxon into a mere impersonator acting for the true Skull. A Comics Code fingerprint carries into the adaptation: in the 1941 original, Maxon killed victims with injected poison while telling them to "look into my eyes and see death"; the Code-era retelling softened this to an amnesia gas, which is what the cartoon depicts.

The Snark File

Easter eggs, callbacks and technical tidbits.

The Animation is Xeroxed Comics

The series used xerography to photocopy panels directly from the source issues, so much of what is on screen is literally Kirby's 1965 artwork with the lips, eyes, and an occasional limb set moving. Watch for panels that hold completely still except for a mouth.

Onscreen Sound-Effects

Movement is often faked by panning or jostling the camera across a static panel, with comic-book effect words popping up on screen.