The Marvel Super Heroes · Season 1 · Episode 1
The Origin of Captain America / Wreckers Among Us / Enter Red Skull
Hello and welcome, fellow Marvel fans, to the
Snark Industries podcast. I'm John. And I'm Remy.
And we invite you to join us as we work our way
through every Marvel TV show, movie, and crossover.
Meaning if there's a Marvel character on screen,
it's fair game. All categorized in the temporal
order of their setting. By the time we're done,
we'll have built a complete start -to -finish
timeline of the entire Marvel Cinematic Universe.
To accomplish this goal and to have a bit of
fun along the way, each episode will be split
into two parts, a watch party and a deep dive.
If you were hearing this, you have found one
of our bonus snarklets. This is where we take
an older, shorter, less mainstream bit of Marvel
media that doesn't quite fit within the confines
of our timeline and combine the watch party and
deep dive experiences. Being that most of this
content will be more difficult to find to watch
along with, we will talk through the plot as
it is happening in real time with our usual dosage
of snark. Then, once the credits roll, we will
follow up with our own commentary, as well as
any relevant tie -ins, lore, and easter eggs,
all in one tidy episode. Most importantly, we
want to thank each and every one of you for joining
us on this incredible journey. We're not affiliated
with Marvel in any way, shape, or form. We're
just fans who are passionate about these stories
and these characters and wish to share them with
everyone in a new and exciting way. So sit back,
relax, and enjoy this episode of Snark Industries.
I'm so excited. Oh, look at those little TV warbles.
Love it. Oh, that's so good. Oh, Captain America
is throwing his mighty shield. Man. So exciting.
I used to sing this song all the time when I
was a kid. I still sing it to my kids. The red
and the white and the blue. Yeah. The origin
of Captain America. All rights reserved. Yeah,
yeah, yeah. There's tanks shooting at nothing
and battleships shooting at nothing. And then
sinking. Planes shooting at nothing. And a bunch
of topless dudes. Now I hear there's a certain
type of procedure you do when you go to the army
that they look at. We hear, we hear. And this
is an FDR. He's standing up. Mr. Anderson. All
right, now he's sitting again. He got tired.
The polio got him. Heading to the curio shop.
Got that old lady. These are civilian clothes,
in case you're wondering. A trench coat with
your collar up around your ears are civilian
clothes, in case anybody was wondering. She pulls
a gun on him immediately. Yeah, well. I would,
too, if a guy could walk in looking like that.
Those are casual clothes, man. Yeah, yeah, evidently.
Man, look at that. Look at that, like, hazmat
suit. Oh, the old lady is Agent R. Dun, dun,
dun. Her hair changed color, too. I know, it's
wild. That mask is really doing it all. That's
right. skinny steve about to drink his uh his
medicine get this get a picture of that man to
send to peggy real quick i like the i like the
injections better that we got with the film versus
him pounding this test tube of liquid drinking
a test tube this is borderline phallic to be
honest Drink the super soldier serum. Start glowing
red and having Professor X powers for a moment.
Don't give up. You're He -Man. Now he's ripped
and nipple -less. That's right. Side effects
may include. Yeah, nipples fall off. Loss of
nipples. I mean, I would take it. I would take
the super soldier serum if I looked like that
and my nipples fell off. To be fair. Yeah. For
sure. I'm going to put those back on there if
I need to. Heinz just shot Erskine. Yeah. I'll
stop that murderer. No, it's my job. Yeah. He
body slams him. I just got over this procedure,
but it's time for me to do stuff. I don't know
what he's doing with his hand right now. I know
you don't want to know. Don't run into the electrical
omniverse. And he's dead. He told him he did
try to save him. Well, transition. It's not going
to be from lack of trying to be more like you,
Steve, to be fair. Ain't that the truth? There
are going to be a lot that stem from him. Hell,
even Wolverine does, doesn't he? Does he? Uh
-huh. Weapon X program. Oh, yeah, yeah, yeah.
I thought you meant originally. I was like, I
think he's just a mutant, but OK. So Steve is
taking undercover as a private. Under Tommy Lee
Jones. Yeah, same character, kind of. Yeah, yeah,
yeah. Well. Sarge. Look how he's sweating. I'd
sweat if somebody was that close to my face,
too. Yeah, I don't like how close he was. That
makes me uncomfortable. Yeah, close talkers.
Close talkers be weird. Oh, man. Someone just
blew up a building. As one does. Captain America's
there to stop the saboteurs. Not through the
wall. Steep images coming through walls. Yeah.
There's no movement, just people getting beat
up by sound. Yeah. Oh, there's Bucky, the teenager
in the army. The Army's teenage mascot. I just
I just don't know what to do with that. There's
some interesting mascot history there, I'm sure.
I'm sure. Oh, oh, I hate to walk in on you changing,
Steve. Oh, you're a hero. Oops. I was careless.
I was careless. Changing into my superhero outfit
in this open tent. Right. I just... The flap
just going in the breeze. Now that I know your
secret, take me into battle with you. Okay. You
know, I'm a teenager that doesn't have any powers.
And he's shaking with his left hand. Does that
mean... Look at him go. After months of... He's
got a mask and everything. Listen, they covered
it. Months of intensive training. He's war ready.
Okay? He is. He is war ready after months of
training. Yeah, they even got him a little mask
for his eyeballs. More ready than the soldiers,
I'm sure. Holy rusted metal, Batman. His mask
covers less face than like a pair of glasses
would. It really does. It's pretty wild. Numbers
don't matter. Numbers don't matter. Numbers don't
matter where you can go. Scrat. Scrat. And fuck.
Yeah, Matthew, you're fucking everybody. Oh,
I miss visual sound effects. Oh, I know. I mean,
that's something we got to bring back. Yeah,
bring it back. Bring it back. Yeah, bring back
a good thwock. Oh, I'd love a good thwock. That
sounds dirty now that I say it. I'll tell you
what. Battleships are renowned for their ability
to not spot rafts full of TNT driving right at
them. Bright yellow rafts. Bright yellow rafts
full of explosives. Oh, didn't see it. It went
for room. It went for room. It's over. They win.
When Captain America sends a boat full of TNT.
Yeah, yeah, yeah. There'll be a team as long
as the world needs us. And now for something
totally different. Yeah. It's air conditioned.
I could go for some air conditioning right now.
So we're going to Santos. Santos hypnotism show.
From the battlefront to this hypnotist show.
I don't get it. As one does. He's like crystal
balling over this kid's big bald head. I don't
think it's a kid. Oh, yeah. Well, it makes it
weirder. It's a short person. Vertically challenged.
Very, very large head. Maybe that's his mascot.
Oh, boy. Oh, man. Now we're uncomfortably close
to his face. His eyes are spinning. And it's
a take from the beginning of the show. It's a
take from scene one. Shooting at nothing again.
Shooting different areas. Oh, they're dead. They
got blown up this time. Wow. Bummer. Sucks to
be them. Fort LaHaye. LaHaye? Supposed to be
Camp LaHaye. Ah, yeah, yeah, yeah. Putting you
behind the wheel, the enemy don't need no saboteurs.
Man, that guy's just got some feelings. He's
involved in an important army project. Seems
important. It's it seems like a project. Mm hmm.
That guy's like tapping tobacco into his hat.
It did look that way. Yeah. That's what he's
doing. Yeah. Well, they're going to the theater.
Well, Steve has to see Sando and Omar. Well,
of course. Project must not be that important.
Yeah, he's got plenty of time to go over here
and do this to catch a flick. Come on, Steve.
No interviewers. Oh, oh, that girl is just slipping
into the dressing room. That girl. Something's
afoot. That girl reporter. He's just wearing
his costume under the. Oh, man. Oh, man. It's
so good. It's so good. Oh, we got, is the bridge
going to blow up? Omar has seen a bridge. I feel
like, I think things blow up when Omar shouldn't
look at things. They blow up. That's the power.
You mean it's not magic? It's a projector. Well,
I feel like too. Crazy. It's a shame nobody looked
up the entire time. Yeah, the entire time. Yeah,
I mean, those big projectors are kind of renowned
for having like a very bright bulb -like. And
super, super quiet all the time, too. Yeah, right.
Oh, he got Sandow by the collar. Yeah, got him
by the scruff. Splat. Oh, man, he splatted. Oh,
the female reporter. A girl's voice. Or the woman
reporter. A damsel in distress. Oh. For a second,
I thought it was Bucky. Everyone's got Tommy
guns. Yeah. Yeah. Everyone put that on your snark
bingo card, man. We hit a Tommy gun trying to
get out. Yeah. Thanks for telling us she's a
special agent. Yeah, that's special agents are
really known for their being like I'm a special
agent right when they get caught. That's how
they do. Why are you standing like that? He takes
his orders from the Red Skull. You know, we don't
question those things. Yeah. I'm going to start
talking to people like that. So he was putting
tobacco in his head. Now he's smoking it. He
was. He was. And then the Red Skull is standing
very strangely behind him. Now look at his hand.
Zoidberg hand. Oh, it is weird. Think about the
goofiest version of Red Skull you can imagine.
That's what that's what it is. Boy. Yeah, y 'all
got to go check the site because I'll have pictures.
He's something else. Look at how he's holding
that gun. He's gassing Major Corey, making him
lose his memory for months. Months. Months. I
had a special forgetting gas. Why is Steve standing
like that? I know. Everyone stands so weird.
Captain America days. Oh, we got a twang and
a boing. And now Bucky is doing circus things.
He's doing circus. Oh, the special agent whacked
a guy. Whacked. He's shooting by not looking.
Yep. 360, no scope, noobs. Hey, reusing assets
over here. Not bothering to shoot below the shield.
Nope. Boy. Now you'll die. He lowered his shield.
Now he gets to, like, dude, just shoot him. Quit
talking about it. Just so good. Seems everybody's
out. Everybody's incapacitated because they,
you know, are terrible. Agent 13. We know her.
We do. That's a one Sharon Carter, that is. I'm
going to check out Major Corey. Oh, well, everyone's
checking out Major Corey. He doesn't have his
memory. What is his project? Who knows? They
just keep saying his special project. Oh, there's
Ministry of Silly Walks over here once again.
Dumping all the cash on the ground instead of
tables. As you do. Oh, Bucky's been captured
for the second time this episode. Maybe you don't
take teenagers into war. That's right. Maybe.
He collected a valuable fish. Knock, knock. Oh.
He did one punch and knocked out like eight guys.
That was pretty good. But of course, Skull escapes.
Yeah. Well, luckily, he's got a solid steel secret
door behind the wallpaper on that wall. Yeah,
it makes perfect sense. That's what I would do
if I was a bad guy. Obviously. Oh, the list.
General Curtis, Captain America. He's making
a list. Checking it twice. It's so good. I do
love that Major Corey was crossed off on there.
Yeah, I got him. Mr. Maxson of Masked Aircrafts.
Giant plane. Adjectives. Planes on fire. Planes
on fire. Not great. Yeah, not a great test for
the weapons manufacturers. Really, really not
what you want. Seems like hammer tech. It's going
down. It's taking forever to go. Right. A little
plug. Freaking hammer. Get a plug in. It went
really, really high up there. Yeah, and that's
three seconds from takeoff. Oh, another silly
stance. Yep. Every time we see a silly stance,
we're taking a shot. Oh, we will be plastered.
I'm dead already. Mr. Maxson, he's smiling. Yeah,
he's happy that his plane crashed. I wonder why.
I mean, the engine caught fire, Bucky. Mm hmm.
We saw it too. We saw it look on his face. Yeah.
Your deducers are good at deducing. E. Someone
hit an E. Sleep gas. Sleep gas. I'm glad he labels
all of his gas canisters. Right. Right. So Skull's
back and he has used a sleep gas on some lady.
Some lady. And some dude. He's also got a Luger.
And he rolled his R on the Red Skull. Uh -oh.
And he's been clopped. Yep. Like a horse's hoof,
he's been clopped. Oh, so Mixer Maxim was on
the plane and Skull was dressed up as him? That
is some pretty good costume technology Skull's
got there. Well, look how silly his outfit is
now. He escaped because of the Tommy Guns. The
Tommy Guns saved the day yet again. Oh, there's
the list again. His hit parade. Cap is next on
his hit parade. Oh, peeling potatoes. Boil them,
mash them, stick them in a stew. Stop breathing
when I'm talking to you. Steps in the bowl of
potatoes. A very obvious bowl of potatoes and
falls down and is now going to be mad at Steve.
As one does. I wonder how much the enemy's paying
for him to be on our side. Wow. Oh, man. I love
Steve's just feigning incompetence the whole
time. Beautiful. Right. So. We just got done
watching season one, episode one of the Marvel
superheroes. John, how does that fit in the MCU?
Oh, boy. Well, have I got some great news for
you. It doesn't. Oh, whoa. Yeah. Who knew? Yeah.
And, you know, I would be kind of upset if it
did, to be honest. We have some pretty absurd
things here. A disjointed story. A little. Almost
mockeries of of characters that we are pretty
familiar with. Oh, boy. You know, and it's funny
because I know and you'll expand on this a little
bit more. I know this is kind of the actual origin
of Bucky, but man, I'm glad that they decided
to do it a different way in the MCU. The MCU
is so much more interesting than the teenager.
So much better every day. Oh, man. Yeah. Yeah.
MCU. Not so much, but. Comics, on the other hand,
I know there's a plethora because, you know,
this is that in television form. Why don't you
tell us about that? Well, yeah, the comics are
actually straight up Xerox pages from this show.
So if you do, if you are able to find it, then
you get to see just what is essentially just
we'll call them, quote unquote, animated pages
of comic books. And it's it's pretty comical,
pun intended. But yeah. So the comic roots for
this story, at least the the origin of Captain
America, the pages that were scanned were actually
from the retelling of the story in 1965. So these
aren't even the original pages. So this was the
Tales of Suspense number 63. And the original,
of course, was Captain America number one, 1941
by Joe Simon and Jack Kirby. Then we've got the
second part of that disjointed story is called
The Wreckers Among Us with Sando and Omar. And
that was from Tales of Suspense number 64. Those
are essentially lifted straight off the page.
Very little changes there. And then the one that
was just a wild ride with the Red Skull at the
end there with Mr. Maxon and everything. That
was from Tales of Suspense number 65 in 1965.
The Red Skull Strikes. So Maxson was in a mask.
He was he was killed and he was on the plane.
I it was a very confusing ending. I'd actually
love to go back and read that comic and see if
I can make sense of that story, because that's
what they call it. The tales of suspense, I say.
Yeah, I was in suspense. But as you mentioned,
Bucky was certainly a little change from the
comics. The 1940s and 1960s version of Bucky
have evolved a bit. But John, what did you think?
I mean, I mean, right. Yeah, it's just, you know,
it's it's funny enough, not the first time that
I've seen this and I'm not mad about it. I continue
to enjoy it. It's so absurd. But it's also really,
really cool to see, like the actual legitimate
origins. you know, from, you know, as you said,
Xerox directly from comic books onto the screen,
you know, so to speak, uh, is, is really neat.
It's fun. It's funny. You know, I laughed watching
it the first time this time, all the times. Um,
and yeah, I said, this one might be a little
harder one for, for everyone to find, but if
you do, it's, it's definitely worth it to, to
follow along, you know, these, these, uh, these
shows from the sixties, you know, we're doing
them in packs of three. Uh, but I mean, they're
a little, six, seven minute slots that came through.
It's interesting. to say the least. I'm glad
that we've made the changes as time is going
on. You could definitely tell the age of these,
not just from the actual art and, you know, movement
on the screen or lack thereof, but also just,
you know, we talked a little bit about Bucky,
but also Cap and, you know, and Red Skull looked
utterly absurd. So we see a lot of these things
kind of grow, but it is interesting to go back
and kind of see the roots or at least sort of
part of the roots, even if this was a retelling.
which I didn't realize I learned something new
today too. This was a retelling of the original.
So, um, but yeah, it is definitely, definitely
interesting. Definitely worth it. Uh, not good,
but great because it's hilarious. You know what
I mean? Like absolutely. So, uh, yeah, that's
me. How about yourself? Uh, I mean, I'm, I'm
pretty much in the same boat and I, I gotta say,
I just love, I both love and hate. Old comic
book speech, how they have to explain everything.
And it just to see it put on screen just makes
you really realize how ridiculous it is. And
it's just it's just it's a joy. Absolutely. You
know, pushing a braille raft full of dynamite
toward a submarine to blow it up is just I mean,
that's that's comics gold. You can't you can't
write that anymore. It doesn't exist anymore.
And it's just I love it. It's stupid. But yeah,
all in all, good time. And I look forward to
the next. Absolutely. We'll see you all there.
Thank you for joining us in this episode of the
Snark Industries podcast. To join the conversation
and further explore the Marvel Cinematic Universe
with us, head on over to snarkindustriespod .com.
The link will be in the show notes. But with
that, we will see you in the next adventure.
A Snarklet trip back to 1966 for the Captain America chapter of The Marvel Super Heroes, three loosely connected segments watched and reacted to in real time. The hosts talk through the whole disjointed run as it plays. From a serum sequence they can only describe as borderline phallic, to a teenage Bucky suiting up after months of training, to a bright yellow raft of TNT that a battleship somehow never spots, to a hypnotist act where things explode whenever Omar looks at them, to a Red Skull so goofy he has to be seen to be believed. Once the credits roll they turn to how it fits the larger picture, landing on a cheerful "it doesn't," and reflect on watching the Xeroxed comic pages animated straight onto the screen. Both hosts come away delighted, with a shared affection for old comic book narration that explains everything out loud, gratitude that the MCU reworked Bucky's origin, and a verdict of not good but great precisely because of how absurd it all is.
Dive in further at https://www.snarkindustriespod.com/post/the-marvel-super-heroes-season-1-ep-01-captain-america-wreckers-among-us-enter-the-red-skull
Synopsis
America is at war, and in a shadowed curio shop in Washington a frail volunteer named Steve Rogers gives his life over to Operation Rebirth. Dr. Erskine's chemical remakes his body into that of a super-soldier, but the triumph lasts only moments before a hidden enemy agent guns the doctor down and dies fleeing into the laboratory's electrical apparatus. The formula is lost with its creator, leaving Rogers the sole product of an experiment that can never be repeated. He takes up the mantle of Captain America while hiding behind the guise of a bumbling army private, drawing the daily wrath of his sergeant. When the camp's teenage mascot, Bucky Barnes, stumbles onto the secret, the two become partners, and their first mission together turns a landing party of saboteurs and their offshore submarine into wreckage carried back out on the tide.
The war then draws them toward a subtler menace. A theatrical hypnotist calling himself Sando stages impossible predictions through his entranced "slave" Omar, and when one of those visions comes true on an army base, Rogers grows suspicious enough to investigate. The act proves a fraud, its prophecies projected by an accomplice above the stage, and behind the whole scheme stands the Red Skull, who erases a major's memory and slips through every trap Captain America sets. A sabotaged bomber and an impostor unmasked all trace back to the same hand, and though his agents fall one by one, the Red Skull escapes to promise that nothing will stop him. Through it all, Rogers keeps peeling potatoes under a sergeant who never suspects the clumsy private is the nation's newest champion.
Reality Designation
This story takes place outside the main Marvel continuity: 600026
Reality numbers are Marvel's official designations.
Where a universe has no official number we follow the Marvel Database and use its Temporary Reality Number (TRN-1092). Where there is neither — official or temporary — at the time we watch it, we assign a Snark Industries number of our own (SI-001).
Characters in the Episode
Leads General Phillips from the Curio Shop to the Project Rebirth Lab.
Assists Dr. Erskine with his work.
Milestone: Discovers that Steve Rogers is Captain America
Camp mascot; discovers Cap's identity and joins the fight.
Posing as a reporter and captured by Sando and his men. Helps Captain America and Bucky defeat Sando's men.
Is attacked and gassed by The Red Skull, causing his project to be place on hold until his memory returns.
Introduces the Soldiers to Mr. Maxon at the camp.
Steve and Bucky's commanding officer. Not a fan of the pair.
Milestone: Killed by Heinz Kruger
Administers his serum to Steve Rogers and is killed immediately afterward.
Milestone: Died
Kills in this episode: 1
Witnesses Steve's transformation and kills Dr. Erskine.
Masked saboteur-master; gasses Major Croy, escapes with a target list.
An innocent under Sando's control. Part of Sando's Hypnotic show.
Speaks to Roosevelt about Project Rebirth. Witnesses Steve's transformation.
Milestone: Receives the Super Soldier Serum
Transformed super-soldier; hunts saboteurs under an army private's cover.
Poses as a hypnotist and secretly works for The Red Skull. Loses in a battle against Cap, Bucky, and Agent 13
Comic Roots
Where the episode's people and places come from on the page.
The first chapter adapts Tales of Suspense #63 (March 1965) by Stan Lee and Jack Kirby, itself a Silver Age retelling of the origin from Captain America Comics #1 (1941) by Joe Simon and Jack Kirby. The screen version follows the #63 script closely: the scientist is named Erskine (changed from the original "Reinstein"), and the serum is taken as an oral formula rather than the injection-and-Vita-Rays process that later continuity would settle on. The Nazi assassin who guns down Erskine goes unnamed here, but later Marvel continuity identifies him as Heinz Kruger. This is also the chapter that seeds Bucky Barnes's discovery of Cap's identity, lifted from the same #1 material.
The middle chapter adapts Tales of Suspense #64 (April 1965), "Among Us, Wreckers Dwell!", which reworked the second story from Captain America Comics #1. The stage-psychic-fronting-for-saboteurs scheme (Sando and Omar signaling wrecker targets through a fake mentalist act) comes straight from that Simon-and-Kirby original. The #64 story is also notable in print for featuring Agent 13 of the Women's Army Corps, a character distinct from the later Sharon Carter despite the shared codename.
The third chapter adapts Tales of Suspense #65 (May 1965), "The Red Skull Strikes!", retelling "The Riddle of the Red Skull" from Captain America Comics #1. Crucially, this Skull is George Maxon, an American aircraft manufacturer turned Nazi agent, not Johann Schmidt. The following issue (#66) retconned Maxon into a mere impersonator acting for the true Skull. A Comics Code fingerprint carries into the adaptation: in the 1941 original, Maxon killed victims with injected poison while telling them to "look into my eyes and see death"; the Code-era retelling softened this to an amnesia gas, which is what the cartoon depicts.
Recommended Reading
Where to go next if the episode left you wanting more.
The wartime original: Cap's debut, the origin, the Sando-and-Omar wreckers, and the first Red Skull all appear here, and all three chapters of this madness trace back to it.
The direct source for the origin chapter, with the Erskine renaming and Bucky's introduction as adapted on screen.
The direct source for the wreckers chapter and the Silver Age take on the psychic-act sabotage scheme.
The source for the Red Skull chapter; #66, "The Fantastic Origin of the Red Skull," is the immediate follow-up that recasts this Skull as an impostor and begins building Johann Schmidt.
The Snark File
Easter eggs, callbacks and technical tidbits.
The Animation is Xeroxed Comics
The series used xerography to photocopy panels directly from the source issues, so much of what is on screen is literally Kirby's 1965 artwork with the lips, eyes, and an occasional limb set moving. Watch for panels that hold completely still except for a mouth.
Onscreen Sound-Effects
Movement is often faked by panning or jostling the camera across a static panel, with comic-book effect words popping up on screen.